Lyle Lovett is an artistic renaissance man with an impeccable Texas pedigree and a life that testifies to Lone Star independence and individuality. A writer of immense talent and taste, Lovett has served as a pillar of the Texas songwriting community since the early eighties, honing some of the genre’s rough edges with profound lyrics, engaging melodies and a witty and elegant delivery…sort of like that guy who can actually pull off a tux and cowboy boots. His voice is polished and comforting, but also raw and a little weary.
Raised on a ranch near tiny Klein, Texas, a town named for his great-grandfather, a German immigrant and noted weaver, Lovett still lives on the family ranch in a house built in 1911. He keeps his hand in livestock and carries the seriously Texan distinction of once being pinned by a bull against a corral fence, and living to tell about it.
Lovett earned degrees in journalism and German at Texas A&M University before dedicating himself to the songwriting life in the seventies, and signed his first record deal in 1986 after Guy Clark stumbled upon his demo tape and alerted the proper authorities.
Opportunities and accolades stalk Lovett like a Texas coyote. He has received an honorary degree of Doctor of Humane Letters from the University of Houston and a Distinguished Alumnus Award from Texas A&M University. He was named a Texas State Artist Musician by the Texas Commission on the Arts, and has received his fair share of Grammies. Lyle has appeared on television and in Robert Altman movies, earned a Golden Globe, and weathered a short-lived celebrity marriage to actress Julia Roberts. He just can’t help but attract attention.
Lovett inhabits the songwriter’s stage with presence and some sort of strange élan. Tall, almost willowy, his craggy face is in turns earnest, quizzical, sheepish and smart-ass. More often than not the words emanate from the side of his mouth, but he holds the audience like a goat head in a toe, and no one leaves till the last song is sung.
Above the spectacle is the music, spellbinding and perfect, funny and sad and country and city all at the same time. Lovett’s stuff is country, and Texan for sure, but also folk, blues, gospel, swing, jazz and pop. Lyle Lovett is simply an artist of immense talent who executes his art with principle and integrity. The rest of it is just for fun.
Three things to know about Lyle Lovett: (1) in 1994, he recorded an acclaimed duet with Al Green of “Funny How Time Slips Away”; (2) he once played Balthasar in a Los Angeles production of Shakespeare’s Much Ado About Nothing; and (3) he has been variously referred to as looking like a French bluesman, a French poet and a French hairdresser.